Das Neue ist nicht alles, aber ohne Neues ist alles nichts.
(Don't overestimate the new; but without it, there's no future.)
Mauricio Kagel/DNE (1931 - 2008) from Zehn Märsche den Sieg zu verfehlen (1975)
Luciano Berio (1925 – 2003) Sequenza XIV (2002, 12‘) for cello solo
Param Vir (*1952) Beyond the Reach of the World (2009, 16’) for cello solo
Carola Bauckholt (*1959) Langsamer als ich dachte (1990, 6’)
for cello, percussion and projection
’
"My opinion is: you should play a nice Strauss waltz, Tölzer Schützenmarsch or Glühwürmchen-Idyll in between every time during such a classical evening, for the recreation of the simple man." Das Neue Ensemble realizes Karl Valentin's idea and since twenty -odd years play on the first day of the new year, every fifteen minutes a march to miss victory, or a nice Waltz. During the interval there's rollmops and aspirin.
Tickets (25/15 EUR) at Kestner Gesellschaft's ticket sales. Doors open 11am.
Das Neue ist nicht alles, aber ohne Neues ist alles nichts.
(Don't overestimate the new; but without it, there's no future.)
Mauricio Kagel/DNE (1931 - 2008) from Zehn Märsche den Sieg zu verfehlen (1975)
Luciano Berio (1925 – 2003) Sequenza XIV (2002, 12‘) for cello solo
Param Vir (*1952) Beyond the Reach of the World (2009, 16’) for cello solo
Carola Bauckholt (*1959) Langsamer als ich dachte (1990, 6’)
for cello, percussion and projection
’
"My opinion is: you should play a nice Strauss waltz, Tölzer Schützenmarsch or Glühwürmchen-Idyll in between every time during such a classical evening, for the recreation of the simple man." Das Neue Ensemble realizes Karl Valentin's idea and since twenty -odd years play on the first day of the new year, every fifteen minutes a march to miss victory, or a nice Waltz. During the interval there's rollmops and aspirin.
Tickets (25/15 EUR) at Kestner Gesellschaft's ticket sales. Doors open 11am.